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Simply stated, RAW gives you control over white balance (yes this is important for black and white), sharpening (most images are over sharpened), contrast, saturation, and bit depth. Once you have decided on your printing method, it is imperative that you adhere to the following guidelines for the best results. In addition, they tend to have a colorcast making it very difficult to create a body of work that looks consistent. These printing materials are designed for color use and are not lightfast. Eliminate any output using chromogenic prints (C-prints) and digital C prints (Lambda, Lightjet, and Chromira prints). When properly executed, both processes are archival and in the case of the silver gelatin print there is never a colorcast. The next best option is a quality inkjet print using the latest inks and media. The superior choice for black and white printing is a hybrid digital-to-analog silver gelatin process, like the one we use at Digital Silver Imaging ( ). I hope to give some simple guidelines to help the photographer create excellent black and white digital prints. However, with the control afforded by digital capture, excellence in black and white digital printing is now more attainable than ever. Image copyright Īndrea: Ansel Adams said, "The negative is comparable to the composer's score and the print to its performance." In the world of digital photography, the performance is often overlooked.